![]() ![]() However, there are some pro and cons in the result of discussing about the main characters depicted in Fifty Shades of Grey. #APPROACH TO THE INMOST CAVE MEANING PRO# View full-textĮxisting readings of Claude Cahun have tended to position her within surrealist or feminist/postmodernist discourse, marginalising her dramatic background and leaving the discipline of theatre unrecognised as the essential language of the artist. This paper seeks to redress the balance, reviewing Cahun's 'self-portraiture through the dual lens of traditional and avant-garde theatre, and exploring. the dynamic relationship between her pictured constructions and the apparatus of the stage. ![]() Theatricality is explicitly coded within the use of her body, and in her vocabulary of mask, makeup, costume and curtain the setting of a scene and the physical transformation into character being a basic stage premise. The narrative of The Actor is also traced within her literary protagonists and dramatic dialogue, with particular focus upon her biblical heroines Judith, Salome, and Delilah, revealing her own personal realm of veils, dance, and execution. Marked by the faceless and the inanimate, Cahun's world of artifice is contextualised within the new stage aesthetic of the non-human and the anti-real its emblematic figures the mask and the marionette being considered instrumental to her reinvention. I argue that Pierre Albert-Birot's Plateau Theatre of 1929, dominated as it was by the puppet principle, provided an ideal platform for the playing out of an elastic sexless actor-identity, as demonstrated by her visual reconstructions of her three stage roles, raising the question of the theatre as tool for the mythologisation if not mythical erasure of self as somebody else. Byatt attempts to recover lost voices in Possession and Angels and Insects (a collection of two novellas) by examining the limiting roles of women in literature and society. ![]() Chapter one examines Possession in which the characters search for their connections to the literary past, ultimately locating them through a lesser-known, female, Victorian poet.
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